Mathilde Blind's epic poem The Ascent of Man (1889) is not as well-informed as the evolutionary poems of Constance Naden, nor as witty as the poems of May Kendall, but it conveys a conviction that the so-called feminine sphere should include both the world of poetry and of science, in an argument that is typical of English thinking in the 1880s and 1890s.
A. both the world of poetry and of
B. both the world of poetry and the world of
C. the worlds both of poetry and also
D. both worlds, of poetry, and
E. the worlds both of poetry and that of
A. both the world of poetry and of
B. both the world of poetry and the world of
C. the worlds both of poetry and also
D. both worlds, of poetry, and
E. the worlds both of poetry and that of
