Loma Simpson, whose refined and impassioned work is the subject of a twenty-year retrospective at the Whitney Museum of American Art, added words to her photographs—not descriptive captions but overheard phrases that interacted with the images in a free-associational exchange.
A. Loma Simpson, whose refined and impassioned work is the subject of a twenty-year retrospective at the Whitney Museum of American Art, added words to her photographs
B. The refined and impassioned work of Loma Simpson is the topic of a twenty-year retrospective at the Whitney Museum of American Art—she added words to her photographs
C. At the Whitney Museum of American Art, Loma Simpson, who created refined and impassioned work, which is the subject of twenty years of a retrospective, added words to her photographs
D. Loma Simpson, whose work is refined and impassioned, the subject of a twenty-year retrospective at the Whitney Museum of American Art, added words to her photographs, but
E. The subject of a twenty-year retrospective at the Whitney Museum of American Art is the refined and impassioned work of Loma Simpson, who added words to her photographs, yet
A. Loma Simpson, whose refined and impassioned work is the subject of a twenty-year retrospective at the Whitney Museum of American Art, added words to her photographs
B. The refined and impassioned work of Loma Simpson is the topic of a twenty-year retrospective at the Whitney Museum of American Art—she added words to her photographs
C. At the Whitney Museum of American Art, Loma Simpson, who created refined and impassioned work, which is the subject of twenty years of a retrospective, added words to her photographs
D. Loma Simpson, whose work is refined and impassioned, the subject of a twenty-year retrospective at the Whitney Museum of American Art, added words to her photographs, but
E. The subject of a twenty-year retrospective at the Whitney Museum of American Art is the refined and impassioned work of Loma Simpson, who added words to her photographs, yet
