BREAKING: Target Test Prep releases Brand New 2026 On Demand GMAT prep course

Redeem

Target Test Prep · GMAT

Choose how you want to prepare

Learn live with an expert or move at your own pace. Every option includes the complete TTP study system.

★★★★★5.0559 reviews
GMATLiveTeach Starts Oct 17
Chris Peckover, Target Test Prep GMAT expert
LIVE ONLINE CLASSES

Get Ready for GMAT Test Day Faster with Live Online Classes

with Chris Peckover, 100th-Percentile GMAT Scorer

Oct 17 · Chris Peckover
Sat · 11:00 AM to 2:00 PM ET
Oct 20 · Chris Peckover
Tue, Thu · 8:00 to 10:00 PM ET
Oct 25 · Josh Braslow
Sun · 1:00 to 4:00 PM ET
Included
40 hours of live online classes + 6 months of TTP OnDemand
  • Attend the first class for free
  • Every class is recorded, so you never fall behind
View classes & enroll
Limited seats availableTarget Test Prep
EALiveTeachOnDemand 5 seats left Start anytime
EXECUTIVE ASSESSMENT

Target Test Prep EA OnDemand

Self-paced EA prep. Study on your schedule.

Logan Thompson
EXECUTIVE ASSESSMENT

Sep 6 to Dec 6, 2026

with Logan Thompson

165+ EA score guarantee
$05-day trial no automatic billing
Schedule
Sun · 9:30 AM to 12:30 PM ET
Included
40 hours of live online classes plus six months of access to the complete TTP EA OnDemand course.
  • 165+ EA Score Guarantee
  • 4,100+ Quant, Verbal, and Integrated Reasoning practice questions
  • 400+ hours of in-depth video lessons
  • 3,000+ step-by-step video solutions
View EA class & enroll Start free 5-day trial
Limited cohort · enrollment openTrial includes full course accessTarget Test Prep
GMATOnDemand Start anytime
SELF-PACED MASTERCLASS

Target Test Prep GMAT OnDemand

Complete access from day one. Study on your schedule.

715+ score guarantee
$0to start then $127/mo
  • Personalized study plan and analytics
  • Thousands of lessons and practice questions

Compare the format, schedule, and included access before enrolling. Prices and seat counts shown reflect the supplied offer details.

Joachim Raff and Giacomo Meyerbeer are examples of the kind

Expert replies
by eitijan » Tue Mar 22, 2016 5:56 am
Joachim Raff and Giacomo Meyerbeer are examples of the kind of composer who receives popular acclaim
while living, often goes into decline after death, and never regains popularity again.

(A) often goes into decline after death, and never regains popularity again
(B) whose reputation declines after death and never regains its status again
(C) but whose reputation declines after death and never regains its former status
(D) who declines in reputation after death and who never regained popularity again
(E) then has declined in reputation after death and never regained popularity

OA C
Here, In option C 'whose' is followed by "living, but" and 'whose' being relative pronoun should follow that it is relating to.
Please clear the gap in my understanding.
Join the discussion
Source: — Sentence Correction |

by MartyMurray » Thu Mar 24, 2016 7:36 pm
eitijan wrote:Here, In option C 'whose' is followed by "living, but" and 'whose' being relative pronoun should follow that it is relating to.
Please clear the gap in my understanding.
Look at the logic of what is going on. You have a list, both elements of which modify composer.

First Element Of The List: who receives popular acclaim while living

Second Element Of The List: whose reputation declines

composer who receives popular acclaim

composer whose reputation declines

composer who receives popular acclaim and whose reputation declines

composer who receives popular acclaim but whose reputation declines

Similar situation:

Voters prefer candidates who understand policy and how to make it and who represent the country well.
Marty Murray
Perfect Scoring Tutor With Over a Decade of Experience
MartyMurrayCoaching.com
Contact me at [email protected] for a free consultation.
Join the discussion

Joachim Raff and Giacomo Meyerbeer are examples of the kind of composer who receives popular acclaim while living, often goes into decline after death, and never regains popularity again.

This is a parallel structure.
Composer who receives…, often goes…. And never regains….

(A) often goes into decline after death, and never regains popularity again

(B) whose reputation declines after death and never regains its status again
Its is a pronoun that refers to composer which is incorrect

(C) but whose reputation declines after death and never regains its former status


(D) who declines in reputation after death and who never regained popularity again
This is a incorrect parallelism because of verb tense receives, declines and regained.

(E) then has declined in reputation after death and never regained popularity
This is incorrect parallelism
Join the discussion

• Page 1 of 1