The following passage is from GRE test in the 3000 RC pack. I can read the passage easily but the questions are not easy. The second question is hard. Do you feel the hardness? why do some persons said GRE passages are easy?
Great comic art is never otherwordly, it does not seek to mystify us, and it does not deny ambiguity by branding as evil whatever differs from good. Great comic artists assume that truth may bear all lights, and thus they seek to accentuate contradictions in social action, not gloss over or transcend them by appeals to extrasocial symbols of divine ends, cosmic purpose, or laws of nature. The moment of transcendence in great comic art is a social moment, born out of the conviction that we are human, even though we try to be gods. The comic community to which artists address themselves is a community of reasoning, loving, joyful, compassionate beings, who are willing to assume the human risks of acting rationally. Without invoking gods or demons, great comic art arouses courage in reason, courage which grows out of trust in what human beings can do as humans.
17. The passage suggests that great comic art can be characterized as optimistic about the ability of humans to
(A) rid themselves of pride
(B) transcend the human condition
(C) differentiate clearly between good and evil
(D) avoid social conflicts
(E) act rationally
18. It can be inferred from the passage that the author admires great comic artists primarily for their
(A) ability to understand the frequently subtle differences between good and evil
(B) ability to reconcile the contradictions in human behavior
(C) ability to distinguish between rational and irrational behavior
(D) insistence on confronting the truth about the human condition
(E) insistence on condemning human faults and weaknesses
19. Which of the following is the most accurate description of the organization of the passage?
(A) A sequence of observations leading to a prediction
(B) A list of inferences drawn from facts stated at the beginning of the passage
(C) A series of assertions related to one general subject
(D) A statement of the major idea, followed by specific examples
(E) A succession of ideas moving from specific to general
Great comic art is never otherwordly, it does not seek to mystify us, and it does not deny ambiguity by branding as evil whatever differs from good. Great comic artists assume that truth may bear all lights, and thus they seek to accentuate contradictions in social action, not gloss over or transcend them by appeals to extrasocial symbols of divine ends, cosmic purpose, or laws of nature. The moment of transcendence in great comic art is a social moment, born out of the conviction that we are human, even though we try to be gods. The comic community to which artists address themselves is a community of reasoning, loving, joyful, compassionate beings, who are willing to assume the human risks of acting rationally. Without invoking gods or demons, great comic art arouses courage in reason, courage which grows out of trust in what human beings can do as humans.
17. The passage suggests that great comic art can be characterized as optimistic about the ability of humans to
(A) rid themselves of pride
(B) transcend the human condition
(C) differentiate clearly between good and evil
(D) avoid social conflicts
(E) act rationally
18. It can be inferred from the passage that the author admires great comic artists primarily for their
(A) ability to understand the frequently subtle differences between good and evil
(B) ability to reconcile the contradictions in human behavior
(C) ability to distinguish between rational and irrational behavior
(D) insistence on confronting the truth about the human condition
(E) insistence on condemning human faults and weaknesses
19. Which of the following is the most accurate description of the organization of the passage?
(A) A sequence of observations leading to a prediction
(B) A list of inferences drawn from facts stated at the beginning of the passage
(C) A series of assertions related to one general subject
(D) A statement of the major idea, followed by specific examples
(E) A succession of ideas moving from specific to general
