The spatial relationships among the elements of Jan Micker's 1652 masterwork Bird's Eye View of Amsterdam, which he painted long before such a vantage point became possible, are much more subtle and intricate than they are in most other seventeenth-century Dutch paintings.
a. which he painted long before such a vantage point became possible, are much more subtle and intricate than they are in
b. painted by the artist long before such a vantage point was to become possible, are much more subtle and intricate than those among
c. which he painted long before the possibility of such a vantage point, are much more subtle and intricate than in
d. painted long before the possibility of such a vantage point, are much more subtle and intricate than they are in
e. painted long before such a vantage point became possible, are much more subtle and intricate than those in
[spoiler]Source : MGMAT , OA : E [/spoiler]
a. which he painted long before such a vantage point became possible, are much more subtle and intricate than they are in
b. painted by the artist long before such a vantage point was to become possible, are much more subtle and intricate than those among
c. which he painted long before the possibility of such a vantage point, are much more subtle and intricate than in
d. painted long before the possibility of such a vantage point, are much more subtle and intricate than they are in
e. painted long before such a vantage point became possible, are much more subtle and intricate than those in
[spoiler]Source : MGMAT , OA : E [/spoiler]
Last edited by sumanr84 on Mon Aug 02, 2010 2:18 am, edited 2 times in total.
