OA : E
Here you go with OE..
(A)
The pronoun he cannot logically refer to the possessive Jan Micker's.
The pronoun they must stand for the entire noun phrase "The spatial relationships among the elements of Jan Micker's 1652 masterwork Bird's Eye View of Amsterdam." It is not possible for subject or object pronouns, such as they or them, to stand for only the noun in such a phrase. (By contrast, relative pronouns, such as that or those, if placed in parallel constructions, may stand for such nouns.) The use of this pronoun thus illogically suggests that the relationships in Micker's painting are also found in most other seventeenth-century Dutch paintings.
(B)
The verb phrase was to become suggests that the bird's-eye vantage point had been slated to become possible, but never did, in fact, become possible.
The preposition among has the wrong object ("most other seventeenth-century Dutch paintings"), suggesting the existence of "spatial relationships" among the paintings themselves rather than among the elements depicted in the paintings.
(C)
The pronoun he cannot logically refer to the possessive Jan Micker's.
The phrase before the possibility of such a vantage point illogically suggests that this "possibility" itself (as opposed to the advent of such a possibility) is an event that took place at a particular time.
Since the parallel structure than in lacks a pronoun, its subject is necessarily still the subject of the first clause, i.e., the entire noun phrase "The spatial relationships among the elements of Jan Micker's 1652 masterwork Bird's Eye View of Amsterdam." This choice thus illogically suggests that the relationships in Micker's painting are also found in most other seventeenth-century Dutch paintings.
(D)
The phrase before the possibility of such a vantage point illogically suggests that this "possibility" itself (as opposed to the advent of such a possibility) is an event that took place at a particular time.
The pronoun they must stand for the entire noun phrase "The spatial relationships among the elements of Jan Micker's 1652 masterwork Bird's Eye View of Amsterdam.". It is not possible for subject or object pronouns, such as they or them, to stand for only the noun in such a phrase. (By contrast, relative pronouns, such as that or those, if placed in parallel constructions, may stand for such nouns.) The use of this pronoun thus illogically suggests that the relationships in Micker's painting are also found in most other seventeenth-century Dutch paintings.
(E) Correct.
The participial modifier painted is succinct and correct. There is no need for a pronoun or for an explicit mention of Micker's name, since he has already been cited as the creator of the painting.
The subordinate clause before such a vantage point became possible is correctly structured, with an appropriate verb in the simple past, to give an accurate description of a past event.
The construction those in ... paintings is most closely parallel to the spatial relationships among ... Amsterdam. In this parallel construction, the relative pronoun those stands for the noun spatial relationships.
The correct answer is E.
Here you go with OE..
(A)
The pronoun he cannot logically refer to the possessive Jan Micker's.
The pronoun they must stand for the entire noun phrase "The spatial relationships among the elements of Jan Micker's 1652 masterwork Bird's Eye View of Amsterdam." It is not possible for subject or object pronouns, such as they or them, to stand for only the noun in such a phrase. (By contrast, relative pronouns, such as that or those, if placed in parallel constructions, may stand for such nouns.) The use of this pronoun thus illogically suggests that the relationships in Micker's painting are also found in most other seventeenth-century Dutch paintings.
(B)
The verb phrase was to become suggests that the bird's-eye vantage point had been slated to become possible, but never did, in fact, become possible.
The preposition among has the wrong object ("most other seventeenth-century Dutch paintings"), suggesting the existence of "spatial relationships" among the paintings themselves rather than among the elements depicted in the paintings.
(C)
The pronoun he cannot logically refer to the possessive Jan Micker's.
The phrase before the possibility of such a vantage point illogically suggests that this "possibility" itself (as opposed to the advent of such a possibility) is an event that took place at a particular time.
Since the parallel structure than in lacks a pronoun, its subject is necessarily still the subject of the first clause, i.e., the entire noun phrase "The spatial relationships among the elements of Jan Micker's 1652 masterwork Bird's Eye View of Amsterdam." This choice thus illogically suggests that the relationships in Micker's painting are also found in most other seventeenth-century Dutch paintings.
(D)
The phrase before the possibility of such a vantage point illogically suggests that this "possibility" itself (as opposed to the advent of such a possibility) is an event that took place at a particular time.
The pronoun they must stand for the entire noun phrase "The spatial relationships among the elements of Jan Micker's 1652 masterwork Bird's Eye View of Amsterdam.". It is not possible for subject or object pronouns, such as they or them, to stand for only the noun in such a phrase. (By contrast, relative pronouns, such as that or those, if placed in parallel constructions, may stand for such nouns.) The use of this pronoun thus illogically suggests that the relationships in Micker's painting are also found in most other seventeenth-century Dutch paintings.
(E) Correct.
The participial modifier painted is succinct and correct. There is no need for a pronoun or for an explicit mention of Micker's name, since he has already been cited as the creator of the painting.
The subordinate clause before such a vantage point became possible is correctly structured, with an appropriate verb in the simple past, to give an accurate description of a past event.
The construction those in ... paintings is most closely parallel to the spatial relationships among ... Amsterdam. In this parallel construction, the relative pronoun those stands for the noun spatial relationships.
The correct answer is E.
















