High level SC -How booth modifier work---To GMATGuru

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Margaret Courtney-Clarke has traveled to remote dwellings in the Transvaal to photograph the art of Ndebele women, whose murals are brilliantly colored, their geometrical symmetries embellished with old and new iconography and in a style that varies from woman to woman and house to house.

(A) whose murals are brilliantly colored, their geometrical symmetries embellished with old and new iconography and in a style that varies from woman to woman and house to house
(B) whose murals are brilliantly colored, their geometrical symmetries are embellished with old and new iconography, and their style is varying among women and houses
(C) whose murals are brilliantly colored, their geometrical symmetries are embellished with old and new iconography, and they are in styles that vary from woman to woman and house to house
(D) with murals brilliantly colored, their geometrical symmetries embellished with old and new iconography, and their style varies among women and houses
(E) with murals that are brilliantly colored, their geometrical symmetries


The correct answer is [spoiler]OA:A[/spoiler]. How both modifiers work? what is rule for two consecutive modifiers in a row?

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by GMATGuruNY » Wed Sep 28, 2016 4:40 am
Mo2men wrote:Margaret Courtney-Clarke has traveled to remote dwellings in the Transvaal to photograph the art of Ndebele women, whose murals are brilliantly colored, their geometrical symmetries embellished with old and new iconography and in a style that varies from woman to woman and house to house.

(A) whose murals are brilliantly colored, their geometrical symmetries embellished with old and new iconography and in a style that varies from woman to woman and house to house
(B) whose murals are brilliantly colored, their geometrical symmetries are embellished with old and new iconography, and their style is varying among women and houses
(C) whose murals are brilliantly colored, their geometrical symmetries are embellished with old and new iconography, and they are in styles that vary from woman to woman and house to house
(D) with murals brilliantly colored, their geometrical symmetries embellished with old and new iconography, and their style varies among women and houses
(E) with murals that are brilliantly colored, their geometrical symmetries embellished with old and new iconography, and their styles vary among women and houses
A conjunction such as and must serve to connect PARALLEL FORMS.

B: whose murals are brilliantly colored...and their style is varying
C: whose murals are brilliantly colored...and they are in styles
In each of these options, the relative clause in red and the independent clause in blue are not parallel forms.
Eliminate B and C.

D and E: with murals...and their style varies
In each of these options, the prepositional modifier in red and the independent clause in blue are not parallel forms.
Eliminate D and E.

The correct answer is A.

OA: Ndebele women, whose murals are brilliantly colored, their geometrical symmetries embellished with old and new iconography and in a style that varies from woman to woman and house to house.
Here:
The portion in red is a RELATIVE CLAUSE.
This clause serves to modify the immediately preceding noun -- Ndebele women -- providing more information about these women.
The portion in blue is an ABSOLUTE PHRASE.
This phrase serves to modify the preceding subject and verb -- murals are -- providing context for HOW the MURALS ARE brilliantly colored.
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