Michelangelo's sixteenth-century Sistine Chapel paintings are currently being restored. A goal of the restorers is to uncover Michelangelo's original work, and so additions made to Michelangelo's paintings by later artists are being removed. However, the restorers have decided to make one exception: to leave intact additions that were painted by da Volterra.
Which one of the following, if true, most helps to reconcile the restorers' decision with the goal stated in the passage?
(A) The restorers believe that da Volterra stripped away all previous layers of paint before he painted his own additions to the Sistine Chapel.
(B) Because da Volterra used a type of pigment that is especially sensitive to light, the additions to the Sistine Chapel that ad Volterra painted have relatively muted colors.
(C) Da Volterra's additions were painted in a style that was similar to the style used by Michelangelo.
(D) Michelangelo is famous primarily for his sculptures and only secondarily for his paintings, whereas da Volterra is known exclusively for his paintings.
(E) Da Volterra's work is considered by certain art historians to be just as valuable as the work of additions to Michelangelo's work.
Michelangelo (pls answer with explanation)
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Before I explain why I think my answer is right... I'd like to know if it is in fact correct. I choose C
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Choose E
A- Him stripping away all other layers wouldn't matter. It would just make it easier for the historians to strip away his and be left with Michaelangelo's work
B- This is just irrelevant
C- This wouldn't matter. The only way this would be the answer is if they couldn't differentiate between his work and Michaelangelo's
D- This is out of scope
E- If his art is considered as valuable then you wouldn't want to lose his work forever. Choose E
A- Him stripping away all other layers wouldn't matter. It would just make it easier for the historians to strip away his and be left with Michaelangelo's work
B- This is just irrelevant
C- This wouldn't matter. The only way this would be the answer is if they couldn't differentiate between his work and Michaelangelo's
D- This is out of scope
E- If his art is considered as valuable then you wouldn't want to lose his work forever. Choose E
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Option E makes the mose sense since the restorers are primarily concerned about origniality. If they were to make an exception, it should be for a case where the work is very original and appreciated as well. Hence I choose E. Option C was tempting but the passage does not state if the later artist's style were different or same as Michaelangelo's painting.max37274 wrote:Michelangelo's sixteenth-century Sistine Chapel paintings are currently being restored. A goal of the restorers is to uncover Michelangelo's original work, and so additions made to Michelangelo's paintings by later artists are being removed. However, the restorers have decided to make one exception: to leave intact additions that were painted by da Volterra.
Which one of the following, if true, most helps to reconcile the restorers' decision with the goal stated in the passage?
(A) The restorers believe that da Volterra stripped away all previous layers of paint before he painted his own additions to the Sistine Chapel.
(B) Because da Volterra used a type of pigment that is especially sensitive to light, the additions to the Sistine Chapel that ad Volterra painted have relatively muted colors.
(C) Da Volterra's additions were painted in a style that was similar to the style used by Michelangelo.
(D) Michelangelo is famous primarily for his sculptures and only secondarily for his paintings, whereas da Volterra is known exclusively for his paintings.
(E) Da Volterra's work is considered by certain art historians to be just as valuable as the work of additions to Michelangelo's work.
Hope this helps
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I choosed A too. My explanation is:
First: the goal is to uncover Michaelangelo original painting.
Second: the restorers decided no to remove da Volterra's painting...
The question is to find how the decision of the restorers could match with the primary goal.
The only way is if there is no Michaelangelo's painting beneath da Volterra's painting. In that case, there is no need to remove da Volterra's painting.
This is exactly what states answer A!
Hope it will help
First: the goal is to uncover Michaelangelo original painting.
Second: the restorers decided no to remove da Volterra's painting...
The question is to find how the decision of the restorers could match with the primary goal.
The only way is if there is no Michaelangelo's painting beneath da Volterra's painting. In that case, there is no need to remove da Volterra's painting.
This is exactly what states answer A!
Hope it will help
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what's the source? Also, can you post the explanation for the OA and the explanations for C and E. Thanks in advance.
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Answer must be A
Restorer's want to uncover Michelangelo's original work by leaving da Volterra's painting as it on Michelangelo's original work. What if da Volterra did a painting by scrapping Michelangelo's original work, then restorer's can not restore original work.
This is a kind of assumption question.
Restorer's want to uncover Michelangelo's original work by leaving da Volterra's painting as it on Michelangelo's original work. What if da Volterra did a painting by scrapping Michelangelo's original work, then restorer's can not restore original work.
This is a kind of assumption question.
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The stimulus doesn't say that they want to keep "da Volterra's painting as is", it says, "A goal of the restorers is to uncover Michelangelo's original work, and so additions made to Michelangelo's paintings by later artists are being removed. However, the restorers have decided to make one exception: to leave intact additions that were painted by da Volterra."reply2spg wrote:Answer must be A
Restorer's want to uncover Michelangelo's original work by leaving da Volterra's painting as it on Michelangelo's original work. What if da Volterra did a painting by scrapping Michelangelo's original work, then restorer's can not restore original work.
This is a kind of assumption question.
The paradox is why are they making this exception for da Volterra's painting. I don't understand this, and really want to know the source. Answer A would imply that the restorers didn't have to do anything since da Volterra did it all for them. It does not explain why you would leave da Volterra's paintings.
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- komal
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Restorers' goal = Uncover Michaelangelo's workmax37274 wrote:Michelangelo's sixteenth-century Sistine Chapel paintings are currently being restored. A goal of the restorers is to uncover Michelangelo's original work, and so additions made to Michelangelo's paintings by later artists are being removed. However, the restorers have decided to make one exception: to leave intact additions that were painted by da Volterra.
Which one of the following, if true, most helps to reconcile the restorers' decision with the goal stated in the passage?
(A) The restorers believe that da Volterra stripped away all previous layers of paint before he painted his own additions to the Sistine Chapel.
(B) Because da Volterra used a type of pigment that is especially sensitive to light, the additions to the Sistine Chapel that ad Volterra painted have relatively muted colors.
(C) Da Volterra's additions were painted in a style that was similar to the style used by Michelangelo.
(D) Michelangelo is famous primarily for his sculptures and only secondarily for his paintings, whereas da Volterra is known exclusively for his paintings.
(E) Da Volterra's work is considered by certain art historians to be just as valuable as the work of additions to Michelangelo's work.
(A) says...... Volterra stripped away all layers of paint before painting his own. This means even if restorers remove his paintings, Michaelangelo's work will not be uncovered (restorers goal will not be met). The restorers will not find anything underneath because Volterra has already taken it off. Hence the restorers goal will not be met by removing volterra's painting.
Only (A) helps to reconcile the restorers' decision with the goal stated in the passage. Hence (A) is correct.
Hope this helps : )
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This doesn't resolve why they left Da Volterra's paintings in tact. The last line asks why they left his works in tact, answer A doesn't address this at all imo. Can anyone post the original explanation?
komal wrote:Restorers' goal = Uncover Michaelangelo's workmax37274 wrote:Michelangelo's sixteenth-century Sistine Chapel paintings are currently being restored. A goal of the restorers is to uncover Michelangelo's original work, and so additions made to Michelangelo's paintings by later artists are being removed. However, the restorers have decided to make one exception: to leave intact additions that were painted by da Volterra.
Which one of the following, if true, most helps to reconcile the restorers' decision with the goal stated in the passage?
(A) The restorers believe that da Volterra stripped away all previous layers of paint before he painted his own additions to the Sistine Chapel.
(B) Because da Volterra used a type of pigment that is especially sensitive to light, the additions to the Sistine Chapel that ad Volterra painted have relatively muted colors.
(C) Da Volterra's additions were painted in a style that was similar to the style used by Michelangelo.
(D) Michelangelo is famous primarily for his sculptures and only secondarily for his paintings, whereas da Volterra is known exclusively for his paintings.
(E) Da Volterra's work is considered by certain art historians to be just as valuable as the work of additions to Michelangelo's work.
(A) says...... Volterra stripped away all layers of paint before painting his own. This means even if restorers remove his paintings, Michaelangelo's work will not be uncovered (restorers goal will not be met). The restorers will not find anything underneath because Volterra has already taken it off. Hence the restorers goal will not be met by removing volterra's painting.
Only (A) helps to reconcile the restorers' decision with the goal stated in the passage. Hence (A) is correct.
Hope this helps : )
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osirus0830 wrote:This doesn't resolve why they left Da Volterra's paintings in tact. The last line asks why they left his works in tact, answer A doesn't address this at all imo. Can anyone post the original explanation?
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let me try to put it in simple terms. Goal is to uncover michaelangelo's work. that roughly means michael's work is covered. his work is covered by what? by paintings of other artists.
Now (A) says that volterra dint cover angelo's work by his paintings. he scrapped of layers of paint before painting his own.
now if the restorers remove volterra's painting. what do they get underneath? do they get michaelangelo's paintings? No.
Hence the restorers goal is not met by scrapping off volterra's paintings. thus they decide to keep it intact.
Hope this helps : )